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Has it finally arrived, the post-advertising age? Advertising Age, nomen est omen, recently ran a story on the blurring line between commercial and editorial content, as media companies are facing a fiercely competitive marketplace amidst declining advertising budgets (according to the Newspaper Association of America, advertising revenue in 2008 decreased by 17%, to $38 billion) and the looming crisis of the news industry as a whole (see Clay Shirky’s seminal essay on "Newspapers and Thinking the Unthinkable").
As if to further prove the point, the Los Angeles Times carried a page one advertisement on Thursday that craftily confused news and commercial messaging, and consequently sparked a public outcry. Obviously (but not too obviously) labeled as "advertisement" in the top line of the column, the ad for the new NBC cop show Southland simulated a mix of news story and critic's review, including a headline ("Southland's Rookie Hero") and the mentioning of a "reporter" following the story. The last paragraph of the story then disclosed the premiere of the TV series.
The NBC ad is not the first prominent commercial message on newspaper front pages. The New York Times recently sold the first ad in its history on the traditionally 'pure' front page of its print edition. And the largest Finnish daily Helsingin Sanomat even sold its entire front page to Apple for an iPhone ad (see picture above). But these ads – however intrusive to the editorial integrity – were still clearly marked as ads. The L.A. Times coup is unprecedented: No other major news paper to date has ever run an ad on page one that's tip-toeing on the border to editorial content.
The NBC ad is an example of 'fake authenticity,' and before you condemn the concept as unethical, ask yourself this: Isn't fake authenticity the main ingredient of every compelling story? What if storytelling (branded or not) is the actual domain of news outlets? In any case, the L.A. Times' experiment indicates a trend that seems irreversible. The Post-Advertising blog nails the growing sentiment among marketers and media folks: "Just as brands need to be publishers, so publishers need to be marketing agencies that can create opportunities for brands to tell their stories, as well as helping to craft the stories they tell. At a moment in history when ads are giving ground fast to immersive and informative experiences, publishers need to quit selling space and start selling their ability to help tell and host media experiences." And furthermore: "Traditional media need to transform themselves at least partly into content-based marketing services organizations. They need gradually to quit working with media buying and advertising agencies, which keep relegating them to their traditional roles." On the flip side, Allan Moore urges advertisers "to change the currency of advertising - from display, to something that is more like a service, that enables people. That is more relevant, more contextual, more life-enabling. That is where the money is."
While this sounds like a perfect marriage, advocates of traditional journalism will cry foul over any potential crossover. Yet even they will acknowledge that there are only few options left on the table for ailing newspapers as they have no choice but to change their business models:
The first one is the 'socialization' of newspapers through funding from community trusts, citizens (Spot.Us), or government subsidies, in order to remain a strong independent press.
The second one is the aggressive advertising route, further propelling a hybridization of editorial and commercial content (with advertorials replacing advertising).
The third and opposite option banks on content and a hyper-customization of articles, ideally monetized through micro-payments (see TIME's Mine model or the Swiss 20 Minutes micro-newspaper for commuters).
A fourth model sees newspapers follow the maxim "If you cannot beat them, share with them." In a much discussed move, the Guardian recently announced its Open Platform initiative, allowing anyone to use Guardian content on their site or web service. The publication hopes to make money by requiring partners to carry its advertising as part of its terms and conditions. Instead of trying to charge users for content that can easily be duplicated for free anyway, the Guardian lets anyone reprint and use its content, and then slaps ads on top of everything. Will it work? It's too soon to tell but at any rate it's a bold move.
For TIME's Mine, the Guardian's Open Platform, and the L.A. Times' NBC ad, Albert Einstein's adage rings true: "Anyone who has never made a mistake has never tried anything new." And new it must be for newspapers if they want to survive.
Great insight on the future
Mario Vellandi - April 12, 2009
Great insight on the future directions Tim. I see all these paths as sustainable; in order to survive and perhaps thrive, the newspapers need to start breaking all the conventional stereotypes of what 'newspapers' are.
People are looking for more editorial because they want entertainment, opinion, tips, etc. They're now getting this online, and the Huffington Post is a marvelous blended example of this in action. I believe that in a recession, people don't want doom & gloom stories. I think of restaurants as an apt analogy. To enhance the user experience we must update the menu and throw around some appetizers and specials.
Newspapers always relied
Ed Chen - April 12, 2009
Newspapers always relied heavily on advertising revenue to support the news staff and subscription fees to pay for printing costs. With the bulk of money coming from those pushing product, it's only natural that newspapers become more biased in reporting to the point of taking payments to co-author reviews with commercial interests. The wine world has been doing it for years. Honest reporting will one day be a niche market.
speaking of trying new
Russell Volckmann - April 14, 2009
speaking of trying new things with newspapers.... check out this TED video where a designer increases circulation by as much as 100%
http://tinyurl.com/ce63qc